I will proofread and copy edit your screenplay or novella

I work on manuscripts, screenplays, pitch decks, treatments, synopses, and most forms of creative, narrative writing.

Line editing focuses on style, clarity, tone, flow, rhythm, and voice — the creative bulk of a project. Copy editing focuses on grammar, consistency, punctuation, and formatting.

No. My goal is to enhance your vision, not replace it. Think of me as a sound mixer for your writing — the ideas are yours; I simply balance the levels so your voice comes through clearly and confidently.

Turnaround depends on project length and complexity, but I specialize in quick, reliable deliveries. If you have an upcoming meeting, deadline, or submission, just let me know — I’m used to working under tight timeframes.

I prefer drafts in PDF form, but am happy to discuss alternatives with clients who have preferences for specific software.

For proofreading services, I return a redlined version of your initial PDF. For line editing gigs, I import your script into Highland Pro and use tracked changes and comments so you can clearly see every suggestion, note, and revision. You always remain in control of which edits you accept.

Yes — if you’re unsure what level of editing your project needs, I can provide a short sample edit or initial review to determine scope and fit. I limit samples to three pages for screenplays, and ten for manuscripts.

Absolutely. All work remains 100% confidential and belongs solely to the original creator. I never share or discuss client projects without explicit permission.

Yes — I frequently assist with urgent revisions for pitch meetings, submissions, or production deadlines. If it’s time-sensitive, let me know and I’ll do my best to accommodate.