I will do cinematic color grading for short films and feature films

Color grading on a narrative project is different from a single-clip job it means holding a consistent look across dozens or hundreds of shots, multiple cameras, and scenes shot on different days, while still serving the story.

I work across all LOG formats and RAW, and I build a look from reference stills or your own vision rather than a preset continuity between takes matters more here than any single "wow" shot. I won a Scholarship mentee under cinematographer Natasha Braier ASC, which shapes how I think about grading in service of a director's intent rather than just making things look nice.

What's included:

• Scene-by-scene color correction and continuity matching across your full cut
• Look development toward a reference or your creative direction
• Attention to skin tones and key story beats, not just wide shots
• Optional film-style finishing: grain, halation, vintage texture

Free sample on a scene of your choice before you commit to the full project.

Pricing depends on length and complexity, the packages below are a starting point.