
Vangjelica G.
Audio Engineer for Restoration, Editing, Mixing, Mastering and AI Voice Tech
Compétences

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Portfolio
Expérience professionnelle
Freelance Sound Engineer
Freelancer • Indépendant
Jan 2016 - Present • 10 yrs 9 mos
Independent sound engineer working across live sound, recording, audio editing and AI voice production. • Provided live sound, recording and audio editing for events and independent clients (2017–2024). • Hands-on experience with ElevenLabs: voice cloning, voice design, prompting, and precise control of pronunciation, emotion and pacing. • Co-built a video automation tool for a YouTube channel that produces narration with ElevenLabs voices, combining audio production with workflow automation. • Currently offering audio restoration (noise, hum, clicks, reverb), voice editing, mixing and mastering, and AI voice setup for podcasters, content creators and small businesses.
Audio Visual Engineer for live events
TAG Live® • Temps plein
Dec 2021 - Jul 2024 • 2 yrs 7 mos
AV Engineer for resort entertainment shows across Seal Bay Resorts in the UK, running sound and visuals for live performances with singers and cast. • Mixed live shows, balancing vocals and backing tracks for a clear, consistent audience experience. • Recorded cast vocals in Reaper during rehearsals and prepared backup vocal tracks, so performers who were unwell could still appear on stage using their own pre-recorded voice. The show never had to be cancelled or recast.
Technical Manager / Broadcast Audio Engineer
Radio Ngjallja • Temps plein
Mar 2017 - Nov 2020 • 3 yrs 8 mos
Technical Manager for a radio station "Ngjallja", responsible for the full audio chain from recording to broadcast. • Led a team of 5 technicians, set daily technical priorities and trained the team in automation-based workflows. • Recorded, cleaned, edited, mixed and mastered broadcast audio, keeping loudness and tone consistent across all shows and presenters. • Built shared project templates so every technician delivered the same sound standard, regardless of who was on shift. • Coached presenters on microphone technique and vocal clarity, reducing problems at the source rather than fixing them afterwards. • Set up remote production during COVID, keeping programmes on air when presenters could not be in the studio. • Specified and purchased studio equipment, and organised the audio archive and technical inventory.